Double Bass Textures Buy Now — $99

DOUBLE BASS TEXTURES

Rating

$99

DOUBLE BASS TEXTURES SYSTEM REQUIREMENTS

KONTAKT VERSION REQUIREMENTS:

Kontakt or Kontakt Player 7.7.3 or later

STORAGE REQUIREMENTS:

  • 5.18 GB Installed
  • Requires double the space during installation due to temporary files.

PC SYSTEM REQUIREMENTS:

  • Operating System: Windows 10 or 11 (latest Service Pack)
  • Processor: Intel Core i5 or equivalent


MAC SYSTEM REQUIREMENTS:

  • Operating System: macOS 12, 13 or 14 (latest update)
  • Processor: Intel Core i5 or higher
  • Apple Silicon Macs: Supported via Rosetta 2 & natively on ARM (Standalone or in compatible hosts)


Common Requirements:


  • Graphics: Hardware support for Direct 3D 11.1 (Feature Level 11_0) or higher
  • RAM: 4 GB minimum (6 GB recommended for large Kontakt Instruments)

SUPPORTED INTERFACES:

• macOS (64-bit only): Stand-alone, VST, VST3, AU, AAX

• Windows (64-bit only): Stand-alone, VST, VST3, AAX

FREE KONTAKT PLAYER INCLUDED:

Don't have the Kontakt Player? Download it free here


NATIVE ACCESS DOWNLOADER REQUIRED:

Don't have Native Access? Download it free here



"To say I’m always chasing new sonic inspiration is an understatement. And without the luxury of a long post timeline I really need unique, inviting, and intuitive tools. Double Bass Textures gave me that creative spark instantly. It ended up becoming part of the core sound in a feature doc I recently scored.”

JAKE HULL COMPOSER / SOUND DESIGNER

Glorious, Velvet Citizen, The Ends of the Earth (London Symphony Orchestra)

"Emergence Audio has created a set of libraries that sound like nothing else out there."

CHRISTOPHER HOYT KNIGHT COMPOSER

WHO'S AFRAID OF NATHAN LAW, YELLOW ROSE, YOU (additional music)

overview

• Ambient Double Bass

• Infinite Motion Engine™ 2.0

• Non-Static Sampling™

• Dynamic modulation sculpting

• Long evolving performances

• 16 traditional but uniquely played articulations

• 130+ presets

• 100+ micro controls to fine-tune your sound

• 24bit 48kHz samples

• 5.18 GB installed

• Midi learn / Automation

FREE Kontakt Player Included

NKS COMPATIBLE

Free updates for infinity

NON-STATIC sAMPLING™

MOVEMENT THAT FEELS INFINITE

Non-Static Sampling™ is an approach developed by founder Michael Vignola that introduces a constantly evolving and unpredictable quality into a sonic environment, adding depth and realism. Rather than simply relying on a short and static predetermined sample, this technique infuses each note sampled with subtle and unique variations in the performance over a very long period of time which preserves the natural complexity and richness of live instrumentation. This keeps the listener engaged and the performance feeling fresh, emotive, and dynamic. We believe when combining this technique with our Infinite Motion Engine™ we have created a powerful and innovative new tool that allows users to instantly elevate their audio productions to new levels of authenticity and artistry. 

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PHILOSOPHY

AN UNCOVENTIONAL APPROACH

Experience the ultimate fusion of versatility and expression with an instrument that offers the best of both worlds. With the ability to produce dynamic and evolving performances, combined with customizable synth programming options, you can effortlessly craft unique sounds tailored specifically to your individual taste and style.

At the core of the Double Bass Textures lies a profound fascination with the transformative influence of sound. Through the utilization of our Non-Static Sampling™ technique and innovative Infinite Motion Engine™, we have meticulously curated an unparalleled selection of dynamic pads, soundscapes, textures, drones and pulses that push the limits of traditional sound design. With its inclination for unpredictability and ceaseless stream of creative inspiration, this library is sure to become an indispensable asset in your sonic arsenal.

Create sonic environments for a wide range of genres including film, television and game scoring, contemporary era music, neo-classical music, ambient music, drone music, sound design, trailer music, new age / meditation music, and much more.

NUANCE THAT FEELS INFINITE

IT'S IN THE SUBTLE WHERE

THE BIGGEST CHANGE HAPPENS

REVIEWS

"Everything this company puts out is incredible and useful."

ERIC RAUM

"Bravo! Masterpiece as usual!! Thank you EA."

@pasc1977

"Exceptional work at Emergence Audio. Blends incredibly well with violin and cello textures."

ROB MacREYNOLDS

"Amazing!!!"

ANDREW SUN

"This is definitely the most interesting double base library I have heard. In fact it is exactly to my taste . The patches played are really interesting, inspiring and versatile . I love the clarity even with lots of modulation and resonance action occurring. I am your fam""

DES O'CONNOR

"Just....WOW!!!!!!"

@iamthatiam

"Unbelievable - Even better than I was imagining! From epic to intimate, scary to gentle, folksy to fantasy. This is an instant buy for this filmmaker/composer!""

@DirettoIZM

"These sounds are off the charts! Well done Michael and everyone as Emergence Audio!"

@ahaabit11180

"Gaaahh I LOVE these sounds! Been on some dark-ish and mystery themed projects lately. My Cello and Soprano textures are going to have another brother in the stable"

MATT SIMS

"Awesome as usual. Perfect for suspense and atmosphere, just a cinematic gift."

DAVID VELDMAN

"Got it tonight, first impression is very nice and useful."

PETER ZEEDIJ

"The drone presets are just incredible."

ERIC RAUM

"Omg this is awesome."

TOMAS PALAZZI

"Sounds Amazing!"

TIM PATE

"Simply put! STUNNING!"

DEAN CORRIN

"Bought It, love it"

DAVE CUSHING

"Amazing textures - Instant underscore" Love it!"

THOMAS BERDINSKI

effects

50+ Convolution Reverb · Delay · Chorus

Phaser · Rotator · Stereo Imager

Distortion · SATURATION · LOFi · Tape Saturation

Go deeper with our FX section's top-shelf convolution reverbs and attenuverter options that bring next level control

Beyond modulation

Underneath it all lies a carefully woven cascade of performed organic timbres developing independently over a very long period of time.