Featured artists
Crafting Sonic Masterpieces with Visionary Artists
Discover the creators who push the boundaries of sound, shaping the future of music with Emergence Audio
“Every composer has rhythmic instincts they fall back on. Envoy is like collaborating with someone who doesn’t share them.”
Ryan & Hays Holladay COMPOSERS
Weapons, Resident Evil, Class Action Park
“Building up a meaningful percussion bed is super easy, and I consider the library one of my best purchases this year. Since I absolutely love the idea of polyrhythms, Envoy has been a small wonder, and playing around with it produces interesting patterns almost magically, without much effort even.”
PETRI ALANKO COMPOSER
Control Resonant, Alan Wake II, Quantum Break
"I find the Emergence Audio instruments to be a breath of fresh air in the realm of sampled strings. There’s a level of emotion and texture in these sounds that I find to be incredibly inspiring and real. They’re now an indispensable part of my writing template."
ATLI ÖRVARSSON COMPOSER
Silo (Apple TV), The Hitman's Bodyguard, Defending Jacob (Apple TV)
"Inspiration started flowing immediately after trying the first sound in Infinite Guitar. There is richness, as well as subtle movement, in the pads, drones, and afterglow. So many scenes in TV, film, and games could be scored with this.”
DANIEL JAMES CHAN COMPOSER
Quantum Leap, DC's Legends of Tomorrow, Supergirl
"Emergence Audio’s Textures series and Infinite Guitars have just what I like: samples with natural and organic internal motion. Beautiful recordings wrapped in a simple and powerful interface that makes it easy to go from delicate movement to aggressive pulses. All great additions to my scoring template, nicely done!"
Charlie Clouser COMPOSER
Saw, Wayward Pines, Resident Evil: Extinction
"Beautiful textures, eerie pads, inspiring sounds. Every library I used from Emergence Audio sparks instant inspiration and is a pure joy to use while composing.”
PANIC GIRL COMPOSER / SOUND DESIGNER
Paradise (Netflix), Moog Music At Superbooth 2021
"Emergence Audio virtual instruments have quickly become staples of my composing palette. Their string textures are an instant source of inspiration and experimentation, and their vocal textures are a haunting blend of organic and otherworldly. Gems like the infinite bird whistle and clarinet textures fit perfectly in the sonic world of Castlevania: Nocturne, where we are in constant need of sounds that are equal parts evocative and playable. The clarinet multiphonics patch is a particular favorite of mine! These instruments are a fountain of creativity and were clearly built by composers, for composers."
TREY TOY COMPOSER
Castlevania: Nocturne (Netflix), Foundation (Apple TV), Diablo IV (Video Game)
"Thank you Emergence Audio for creating such inspiring tools for us composers. Every time I throw Infinite Steel Tongue or Clarinet Textures on a track I’m writing, I immediately find myself enjoying the music even more. At the same time, these libraries easily serve as some of the best cue starters that I own. They provide the extra layer of organic textures and movement I’ve been looking for in sample libraries for a long time."
TYLER STRICKLAND COMPOSER
John Candy: I like Me, Thriller 40 (Paramount), Chef's Table (Netflix)
"Emergence Audio has created an incredible collection of emotional instruments that I’ve used
on several projects. Their string textures are some of my most used libraries for creating
evocative, ethereal tones that easily cross genres. From sculpting delicate, personal moments,
to nerve wracking tension, Emergence Audio’s sounds continue to impress and inspire me. I
can’t wait to hear what’s next!"
JONAS FRIEDMAN COMPOSER
Blue Bloods, Walker: Independence, Halo
"I found using Quantum and Violin Textures incredibly intuitive and inspiring. I appreciate how the process to get a desired sound can be as intricate or simple as you'd like while still landing in a great (and usable!) sonic space. The evolution and sense of space the patches have from the get-go make integrating these into my template a breeze!"
HANNAH PARROTT COMPOSER
THE CROODS: FAMILY TREE, GOLDEN ARM, THE HIGHEST OF STAKES
"Emergence Audio instruments have become a daily source of inspiration and a go-to in my work as a composer. Textures, pads, and pulses that have life and blend perfectly with live instrumentation. Evocative and beautiful in their simplicity. Sounds with a heartbeat. Emergence Audio has created a set of libraries that sound like nothing else out there."
CHRISTOPHER HOYT KNIGHT COMPOSER
WHO'S AFRAID OF NATHAN LAW, YELLOW ROSE, YOU (additional music)
“Really enjoying the infinite possibilities of Quantum. The sounds are very cool with a lot of analog character, and it’s lovely to just play some chords and hear the sonorities evolve. The GUI is easy to navigate, but there’s loads of control so you really feel like you can sculpt, modulate and perform to your own taste. I can see this being really useful for scoring anything from dramas to dark thrillers.“
DAVID BUCKLEY COMPOSER
THE SANDMAN (NETFLIX), JASON BOURNE, NOBODY, THE GOOD FIGHT
"Emergence Audio’s Violin and Cello Textures are a new go-to favorite for intuitive organic pad design. As a violinist and electronic musician, I love how this library brings the human lyricism of live bowed instruments together with an innovative automated filter structure. This makes it fun, easy and inspiring to dial in new textures with a few twists of the virtual knobs. These libraries sound beautiful, tactile, and engaging."
RONIT KIRCHMAN COMPOSER
THE SINNER, EVIL EYE, LIMETOWN
"Emergence Audio blew me away right out of the box! These incredible products have taken my creativity to the next level”
ROB DIGGY MORRISON COMPOSER
The Family Business S4-5, Gandhi Murder, Composer for Cardi B - "Be Careful"
"To say I’m always chasing new sonic inspiration is an understatement. And without the luxury of a long post timeline I really need unique, inviting, and intuitive tools. Double Bass Textures gave me that creative spark instantly. It ended up becoming part of the core sound in a feature doc I recently scored.”
JAKE HULL COMPOSER / SOUND DESIGNER
Glorious, Velvet Citizen, The Ends of the Earth (London Symphony Orchestra)
“Complete underscore & ambient gold! Violin Textures is a beautiful library of moving soundscapes, beating pulses, and GORGEOUS pads that will find a home in underscore and ambient music. Filled with emotional movement, Violin Textures can add depth and emotion to your tracks.“
SAMPLE LIBRARY REVIEW
“The pads are all tasteful and totally usable, none of those ‘filler’ presets that you get with so many libraries. Each one is so well crafted, I love this thing!“
JACOB YOFFEE COMPOSER
THE WONDER YEARS 2021, AMAZON'S FREE MEEK, DISNEY'S ANDI MACK
“Violin Textures is a fantastic addition to my scoring template. I am always on the search for sounds that can be used in a hybrid style of scoring. These sounds bridge between organic and electronic in a very inspiring way. They will get a lot of use in the future.“
DANNY LUX COMPOSER
MANIFEST, GREY'S ANATOMY, HALLOWEEN: RESURRECTION
"Quantum is a beautifully designed virtual instrument that will transport you to another dimension. Evolving textures and evocative timbres abound. It's awesome to have this software in my sonic world!"
JORDAN RUDESS KEYBOARDIST & MULTI-INSTRUMENTALIST
DREAM THEATER
"Being a creator in multi-genres, Quantum has easily become an essential part of my creative palette. Immediately after going through a few presets, I was easily inspired by the quality, playability and ease of the GUI. Finding the sound you didn't know you were searching for comes quick and effortlessly. I'm happy to include this superb tool to my sonic template."
GILDE FLORES COMPOSER & PRODUCER
THE WOLVERINE, UBISOFT, LIONSGATE
“The Emergence Audio Violin Textures is a perfect tool for creating organic atmospheres and slowly building dramatic passages. Since the engine allows you to combine two articulations, the instrument is at its best creating natural feeling musical conversations; and there’s always a new story waiting!“
ARTTU SILVAST COMPOSER
YLE'S INSIDE ENCE, BAHER OF FINLAND
“My search is over for a library that bridges the orchestral and soundscape worlds. Quantum is amazing out of the box, and customized, the options are endless. Emergence Audio truly captured the feeling of infinity – it's an all-around great plug-in, a must-have for all studios, and a great addition to my dual synth keytar.“
NOMI ABADI COMPOSER
SEBASTIAN, NASA, NORY® DOUBLE SYNTH KEYTAR CREATOR
Ryan & Hays Holladay
COMPOSER
Weapons
Resident Evil
Class Action Park
Petri Alanko
COMPOSER
Control Resonant
Alan Wake II
Quantum Break
Charlie Clouser
COMPOSER
Saw
Wayward Pines
Resident Evil: Extinction
Mark Korven
COMPOSER
The Lighthouse
The Witch
The Black Phone
Martha Bahr / Panic Girl
COMPOSER & SOUND DESIGNER
Paradise (Netflix)
Moog Music At Superbooth (Berlin)
Composer, Public Radio (Munich)
Rob Diggy Morrison
COMPOSER
The Family Business S4-5
Gandhi Murder
Composer, Cardi B - Be Careful
ATLI ÖRVARSSON
COMPOSER
Silo (Apple TV)
The Hitman's Bodyguard
Defending Jacob (Apple TV)
RONIT KIRCHMAN
COMPOSER
The Sinner
Evil Eye
Limetown
Tyler Strickland
COMPOSER
Sly (Netflix)
Thriller 40 (Paramount)
Chef's Table (Netflix)
TREY TOY
COMPOSER
Castlevania: Nocturne (Netflix)
Foundation (Apple TV)
Diablo IV (Video Game)
DAVID BUCKLEY
COMPOSER
The Sandman
Jason Bourne
The Good Fight
CHRISTOPHER HOYT KNIGHT
COMPOSER
Who's Afraid of Nathan Law
Yellow Rose
You (additional music)
JONAS FREIDMAN
COMPOSER
Blue Bloods
Walker: Independence
Halo
HANNAH PARROTT
COMPOSER
The Croods: Family Tree
Golden Arm
Waffles + Mochi
JACOB YOFFEE
COMPOSER
The Wonder Years
Vampire Academy
Bel-Air
DANNY LUX
COMPOSER
Manifest
Grey's Anatomy
Halloween: Resurrection
JORDAN RUDESS
KEYBOARDIST & MULTI-INSTRUMENTALIST
Dream Theater
KEEGAN DEWITT
COMPOSER
All The Bright Places
Hearts Beat Loud
Divorce
Òscar Senén
COMPOSER & Orchestrator
No Time To Die
Terminator: Genisys
Inferno
ALEJANDRO MOROS
COMPOSER / ARRANGER AND TECH ENGINEER
Dune
Hans Zimmer Live
No Time To Die
PERRY AP GWYNEDD
COMPOSER & PRODUCER
Pendulum (Guitarist)
Natalie Imbruglia
Faithless
ADI GOLDSTEIN
COMPOSER
Nintendo (Trailer)
Walt Disney (New Park)
Uber
SYLVIA NAVARRO
COMPOSER
Alien Worlds (Netflix)
Mosul (Netflix)
Earth In Color At Night (Apple)
MATTHEW RAETZEL
COMPOSER
Forged in Fire
The 11th Order
Ring of Silence
FRASER A. CAMPBELL
COMPOSER & SAXOPHONIST
LP, Poet/Shuts/Clock
LP, Curio II
LP, Haar III
SID ACHARYA
COMPOSER
NASA
Lisbon Aquarium
Houston Space Centre
NOMI ABADI
COMPOSER
Sebastian
NASA
NORY® DOUBLE SYNTH KEYTAR CREATOR
GILDE FLORES
COMPOSER & PRODUCER
The Wolverine
Far Cry 4
Lionsgate
SOFÍA LECUONA PUGNO
COMPOSER & SOUNDSCAPIST
Distancia
Postres
The Beautiful Fantasy
FRIEDRICH GATTERMANN
COMPOSER & ORCHESTRATOR
Tail Orchestra (Pedigree)
Tango Daddy
Hessdalen: Under The Spell Of Light
PETER MOHNEN
COMPOSER & PRODUCER
Qaett
Fedbymachines
øthers